CRITICAL
DISCOURSES

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Challenging Amatonormativity

Long ago, before there was Humankind and their rules, there was Nature. Nature was the most imaginative of energies, for it would bring to life, species that even our brains could not fathom. In its world, every energy was Normal, each of them fluctuating with their own ebbs and flows. To constrict their tides was equivalent to declaring war against the powers of Nature.

Like its many creations, one such was the Homo sapiens. Having gone through a millennia of evolution, they stand today at the brink of their society’s collapse as they are loosing their war against Nature.

As be it, Nature designed every animal, such that they could choose to connect, form attachments, experience pleasure and procreate. There were no hard and steadfast rules in Nature: Mendelian genetics did not apply to all species, brains were forever evolving, no animal’s appearance remained the same, no animal displayed consistency in whom they were attracted to, throughout their existence. Every entity, every energy had its flow.

Mozart_Poop Prodigy

The Poop Prodigy

This is the Requiem, Mozart’s last composition. Legend has it that it even brought Mozart to tears when he was composing it. And here we have another Mozart composition: Leck mir den Arsch (Lick me in the Ass), composed in 1782, Vienna.

Several historians argue over whether or not this is actually a Mozart creation. But the evidences to support Mozart’s fascination with poop, are far too many to disregard this composition. There are 39 scatological references alone, in Mozart’s letters indicating his deep German love for Poop jokes (Simkin, 2015).

For the State, a woman is a socio-political construct, a category produced and maintained through institutional power to channel bodies into reproductive, economic, and social functions, while systematically restricting autonomy to preserve structural control.
For example, this Reproductive Axis of Control is a conceptual reference line along which directional movement is regulated as womanhood occupies ontological statuses and performative spaces of maiden, mother, and crone. 

Nishita Rao

Transdisciplinary Researcher | Sex Educator | Neuroscience Consultant

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